
This blog is designed to facilitate the instruction of ART 3000 Digital Photography; a Digital Photography course offered at the University of Toledo in Toledo, OH, USA.
Wednesday, September 29, 2010
Monday, September 27, 2010
Outfit Assignment

This outfit is significant because it was the first outfit I wore in my first ever 10k during track season. The outcome was brutal but it was also memorable.
Sunday, September 26, 2010
Qina-Significant outfit
Saturday, September 25, 2010
Friday, September 24, 2010
Take a flash photo under your bed.
Take a flash photo under your bed from the Learning to Love you More website. Due Monday.
Also due Monday is 10 photos, un-edited, that you think will look good in black and white.
Wednesday, September 22, 2010
jenna f - significant outfit
I was wearing this outfit to the bar the night I met Matt... the irony is that we barely remember meeting that night, and he never remembered this outfit..
What I Wore on My First Date with Jason
Significant Outfit

Monday, September 20, 2010
Remember your daily portrait
Just a friendly reminder to keep up with your daily photos. If I suspect that you try to fake it, I will check the meta data on the files which always includes the date taken.
- Posted using BlogPress from my iPhone
- Posted using BlogPress from my iPhone
Tuesday, September 14, 2010
Artist who explores mulitiple facets of personality
I came across a Japanese artist by the name of Tomoko Sawada who has created a number of series exploring the many different facets of her personality. She has a series similar the Ambiguous Doppelganger series that you are currently working on (I just made up that project name, but I am going to stick with it). Interestingly, she also has a series in which she photographed herself daily over a prolonged period of time. She used a photobooth for that series.
A nice blog entry on her work.
Gallery with some of her work.
Canon Award write up on Tomoko Sawada
Newsweek article on Tomoko Sawada
Brooklyn Museum of art website with examples of her work
Tomoko Sawada's website - it is in Japanese and thus hard to navigate
A nice blog entry on her work.
Gallery with some of her work.
Canon Award write up on Tomoko Sawada
Newsweek article on Tomoko Sawada
Brooklyn Museum of art website with examples of her work
Tomoko Sawada's website - it is in Japanese and thus hard to navigate
Sunday, September 12, 2010
Dopplegangers
There are many people who create work with multiple instances of the same person.
Cornelia Hediger-check out her two Doppleganger series.
Wikipedia definition of doppleganger. Pretty interesting reading. Gave me lots of ideas..
Here is a very interesting Wikipedia definition of a phenomena known as bilocation.
Cornelia Hediger-check out her two Doppleganger series.
Wikipedia definition of doppleganger. Pretty interesting reading. Gave me lots of ideas..
Here is a very interesting Wikipedia definition of a phenomena known as bilocation.
Tuesday, September 7, 2010
Good Photography quotes
You don't take a photograph, you make it. - Ansel Adams
Landscape photography is the supreme test of the photographer - and often the supreme disappointment. - Ansel Adams, Photographing Nature: LIFE Library of Photography by Time-Life (Editor)
Twelve significant photographs in any one year is a good crop. - Ansel Adams
Landscape photography is the supreme test of the photographer - and often the supreme disappointment. - Ansel Adams, Photographing Nature: LIFE Library of Photography by Time-Life (Editor)
Twelve significant photographs in any one year is a good crop. - Ansel Adams
RAW file editing in a nutshell
There is much in regards to digital imaging and photography that isn't intuitive. Editing your images is one such example. The biggest thing that students have trouble with is failing to make full use the full tonal range of the image.
One of the biggest struggles that students have is learning to adjust the distribution of tones in an image. Technically speaking, when you are shooting, your job is to capture all the data in the scene without clipping important highlight information. Your job in editing is to re-arrange those tones to make full use of the tonal range and create an attractive image.
If you see data climbing the right and left walls of an image, that is data containing no detail. I find if helpful if you think of lost detail as not having texture. If you grossly overexpose an area to the point that the data is climbing the right wall, let's say it is a white t-shirt, then the photo of the t-shirt won't have any sense of texture to it. You won't be able to tell if there was a pattern or what type of fabric it was. In a nut shell, you should set the black and white point of an image so that the data just kisses both sides of the histogram without climbing it. Of course, there are exceptions to this such as when you deliberately allow the white of a specular highlight to go to pure white.
If you see that there is a gap between the right wall and the image data, then you are not using the full range of tones available to you. Increase the exposure additionally until the data just kisses or nearly kisses the wall. If you see that there is a gap between the left wall and the image data, then you are not using the full range of tones available to you. Increase the Blacks slider until the data just kisses or nearly kisses the wall.You should do these edits first, then edit the other tones. At a minimum will likely have to adjust the midtones a bit using the Lightness slider or Curves.
Simply put, if you only use part of the tonal range, then you will have a flat (lacking contrast) image.
One of the biggest struggles that students have is learning to adjust the distribution of tones in an image. Technically speaking, when you are shooting, your job is to capture all the data in the scene without clipping important highlight information. Your job in editing is to re-arrange those tones to make full use of the tonal range and create an attractive image.
If you see data climbing the right and left walls of an image, that is data containing no detail. I find if helpful if you think of lost detail as not having texture. If you grossly overexpose an area to the point that the data is climbing the right wall, let's say it is a white t-shirt, then the photo of the t-shirt won't have any sense of texture to it. You won't be able to tell if there was a pattern or what type of fabric it was. In a nut shell, you should set the black and white point of an image so that the data just kisses both sides of the histogram without climbing it. Of course, there are exceptions to this such as when you deliberately allow the white of a specular highlight to go to pure white.
If you see that there is a gap between the right wall and the image data, then you are not using the full range of tones available to you. Increase the exposure additionally until the data just kisses or nearly kisses the wall. If you see that there is a gap between the left wall and the image data, then you are not using the full range of tones available to you. Increase the Blacks slider until the data just kisses or nearly kisses the wall.You should do these edits first, then edit the other tones. At a minimum will likely have to adjust the midtones a bit using the Lightness slider or Curves.
Simply put, if you only use part of the tonal range, then you will have a flat (lacking contrast) image.
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